Generation costs/kWh for new nuclear (including fuel & O&M but not distribution to customers) are likely to be from 25 - 30 cents/kWh.
— Business Risks and Costs of New Nuclear Power, Craig A. Severance, January 2009. [via Climate Progress]
Generation costs/kWh for new nuclear (including fuel & O&M but not distribution to customers) are likely to be from 25 - 30 cents/kWh.
— Business Risks and Costs of New Nuclear Power, Craig A. Severance, January 2009. [via Climate Progress]
All the “… Blues” tracks I have, minus the blues:
And yes, I excluded I Guess That’s Why They Call It The …

I spent a great couple of hours with Mike Dulak of Big Muddy Mandolins. Mike’s been making instruments for years, and is the largest industry in Rocheport. I caught him in the middle of moving his shop, so things were a little chaotic. The above pile of part-finished, discarded or otherwise parts summed up the state of the workshop as I saw it. And yes, that is a uke body.
Mike’s really refined his workflow. He’s built a nifty broach to cut all the string slots in a nut in one swipe. He has a fretting jig that cuts all the slots in one pass (hey, mandolin fretboards are quite short). But to make up for that, he shapes heel necks by hand using a rasp and sandpaper.
I’m really glad I visited, and makes my mandolin a little bit more special to know who made it, and see where it was made.
I can’t really wish that Lang May Your Lum Reek if I’m concerned about CO2 and smog emissions, can I?
Chris Coole - The Local, Toronto - 7 December 02008:

First Set
Second Set
Mr Butcher: [sits down on a bollard, then jumps up in disgust] Eurgh, I’ve just sat on something horrible and smelly!
Mr Baker: What was it?
Mr Butcher: My bottom.
- and that, kids, was the essence of alternative comedy.
emusic really must not like Dick Gaughan.
Three consecutive tracks in today’s the automatic podcast from “& His” artists:
I love this busker’s sound.
ttc_kalimba-081215-083745
Best albums; and yeah, even in order of preference:
Near Miss: Holler and Stomp — Dressy Bessy: angular bubblegum pop, quite delightful.
Definitely Demented: Live! From CarnEGGy Hall — Orriel Smith: seriously, coloratura chicken impersonations. Beyond weird, and beyond brilliant.
It Came Out Last Year, So Now It’s All Car Ads: Oh, My Darling — Basia Bulat: despite that, it’s great. And she plays autoharp.
My music archive just hit 20K. The lucky track is Momus‘ I was a Maoist Intellectual.
Momus is giving away his albums that he did for Creation as an advent calendar. So far, he’s released The Poison Boyfriend and Tender Pervert; more to follow.
Sad to hear that Oliver Postgate passed away. Bagpuss was my series; it started just as I started school, and I caught the first episodes. I spent the whole evening learning the theme on the mandolin, and watched a couple of episodes, half-teary. Was it really nearly 35 years ago?
The music and sounds are what stuck with me. I didn’t know it at the time - but did as soon as I picked one up - that the Bagpuss waking up magic sound is a slow upwards glissando on an autoharp. Similarly, the falling asleep sound is an autoharp strumed slowly downwards. Gabriel’s instrument confused me for years - I now see it has a 5 string banjo neck, but no fifth string (like someone else I could name). To add further confusion, it’s really a mandolin that’s Gabriel’s sound.
I went to hear Chris Coole yesterday at The Local, and got pressed into the not-very-arduous duty of looking after the levels. With only voice and instrument, it’s not that hard, and I only once managed to produce an ear-splitting blast of feedback. There was a slight ring if Chris leaned forward and his guitar started to feed back a couple of times.
I also ran my first soundboard-audience matrix recording rig, with the PMD620 recording off the board, and my old minidisc recording from my table. The Local’s not short of ambient noise, so it’s nice to control it. The board gives a clean but rather dead mono recording, while the audience mics pick up lots of colour (and dropped plates, door chimes, …)
I haven’t put the full matrix together yet, but tried it on one excerpted song. Once you know what you’re doing, aligning tracks in Audacity is pretty simple - just find a clear note or beat in each track, get the tracks roughly aligned with the Time Shift tool, then zoom in as close as you can to refine the match. I suppose I should have delayed the audience track by about 0.01s to mimic the distance from the stage, but that’s a bit nerdy. Limiting the audience to 25% of the final mix, I get a great warm sound, but one that’s unfortunately almost entirely monaural.
Having had a chance to watch Julian play at close range, he plays a regular five string with the fifth removed. It sounds like he tunes DGBD, but I could be wrong.
His strum style is almost like a jazz banjo rhythm, but done without a pick. The one song he played used a familiar progression: first and fourth strings fretted at the 5th, then both down to 4th, to 2nd, then up to 3rd. Try it - it’s fun!
My home server went phut last week. There was a brief power outage, and everything else came back on — except the server. It was a three year old Mini-ITX box, and I’m casting about for ways to replace it.
To serve my immediate music serving and podcasting needs, I have pressed The Only Computer That Runs Windows into service, running Ubuntu using Wubi. Unfortunately, I do still occasionally need to run Garmin Mapsource, which only runs on Windows, and also The Only Computer That Runs Windows is also rather too nice a laptop to be sat doing server duty.
I have some options:
What I was really looking for was one of those tiny fanless internet appliance boxes that were so 2007 (like the Koolu and the Zonbu, both of which have moved on to other things), but such units, without the tied storage service contract, are upwards of $500.
My needs are simple:
I really also need to get rid of all the computer junk in the basement. It now includes two fritzed mini-ITX systems and the world’s slowest PostScript laser printer. Such fun.
AWS OpenWIND is a free wind farm design tool. It’s from people who know what they’re doing. I’m intrigued.

Thank you, I’m here all week …
I fear I may have to play by the “best of” rules that everyone else plays by this year. As I have had to rip and encode all of my albums this year, I can’t tell which older releases I bought this year. So here are the 2008 releases: