work as if you live in the early days of a better nation
Can you tell the difference?
(awesome sleuthing by fegmaniax)
… what Smokey Amps have to say about Minty Amps?
For probably no better reason beyond babbittry, I’ve always half-wanted a lomo. Half-wanted, that is, because of my previous experience with “Russian” photo gear (I’ve had a Lomo TLR, a Fed rangefinder, and a Pentacon six) and its legendary quality control. I’m also so done with film.
A while back, Donncha wrote about a GIMP Lomo Plugin. While it looked handy, the link to the code is now dead. You can find what I think is the same one here: http://flelay.free.fr/pool/lomo2.scm (or a local copy here if that link dies: lomo2.scm). Just pop it in your .gimp-2.2/scripts/ directory, and it’ll appear as a filter. The original author‘s comment on Donncha’s blog contains good settings: Vignetting softness=1, Contrast=30, Saturation=30, Double Vignetting=TRUE.
I knew there was a reason I retrieved my old 1.3 megapixel Fujifilm MX-1200 from my parents’ house. And that reason is fauxlomo!
Switched ISPs from Sympatico to Teksavvy today. Couldn’t keep paying Bell $46 a month for something I could get for less elsewhere. I’m not (yet?) getting faster service, but the Speedtouch modem has all the admin stuff I’d need.
Must remember to copy over my old Sympatico web pages …
Further to Matt Seaton’s article in the Guardian about atrocious cycle facilities, and highlighting Warrington Cycle Campaign’s Facility of the Month, can I just say that Pete Owens of WCC got the idea for the web page from my Crappy Lanes (archive.org copy) site?
It’s a licence to print money! Well, Monopoly® money, that is. But you can’t have everything; it doesn’t stop people from trying, though.
The above image is copyrighted, trademarked, service-marked and intellectually-propertized 15-ways-to-Sunday by Hasbro. I hereby acknowledge that I’m a very naughty person to have nicked it for my website, and have felt good and contrite for at least the last 5 (five) seconds. But then, since Hasbro own the rights to my earliest published writings (long story: they bought Database Publications, for whom I used to write) and are sitting on the goldmine that is the film rights to Stardodger (my first, and only, game), I think they’ve done okay from me.
Eep! Notice of my citizenship test arrived — it’s on the 12th — and I can’t even find, let alone have read, my copy of A Look At Canada.
I found a copy of Linda McQuaig’s It’s the Crude, Dude on the GO train last night. I’ve been meaning to read it for a while. I don’t know what I’ll do with it when I’ve read it — Bookcrossing?
I’ve archived an MP3 copy of Arnold Brown’s Radio 4 programme here: Ivor Cutler: Glasgow Dreamer. It’s a good introduction to Ivor Cutler’s work, and it’s a bit more accessible than the RealAudio format I had to convert it from.
So I’m at the 2005 CanWEA conference for the next few days. The swag bag is a standard nondescript nylon thing, thankfully big enough to take my iBook and a few other bits and pieces. The contents are a bit disappointing, though:
You’ll note an absence of useful pens, pads, USB keys, model turbines, or other special swag. I was hoping for more …
— from the very wonderful Animals Have Problems Too.
(the above image is copyright 2005, Zach VandeZande, btw)
I tried copying about 180MB of files from my old Thinkpad onto a USB key using the mini-ITX box last night. It’s supposed to have USB 2.0 High Speed, but it certainly hasn’t; it took several hours. It managed a little over 5 Kbytes/s on a single file.
By comparison, the iBook moved the same amount of data from the key to the desktop in under four minutes. That’s more like it.
I wonder what could make the mini-ITX box so slow? As far as I can tell, there are no USB1.1 devices on the bus. Unless the device was mounted ‘sync’ (where every write isn’t buffered, but immediately written to the USB key), it’s a mystery.
After writing this, I emailed Nettwerk about the essentially broken CDs they were selling. Very quickly, they said they could send me a non-copy-controlled one. And a week later, it arrived. I now have happy CD players, happy MP3 players, and a happy me, ‘cos it’s a good album.
Someone at Nettwerk hinted to me that they’re dropping copy-controlled CDs because of all the bother. Good.
Canada, though its Sound Recording Development Program, supports local musical talent. Canada also permits private copying of music as part of its Copyright Act, and levies a charge on recordable media to support this.
BC band the Be Good Tanyas acknowledge the support of the government’s program on their new album, “Chinatown”. Unfortunately, their record label EMI Canada has decided to copy-control the CD, depriving us of our rights to make a private copy of the work. The band is not happy about this, and ask you to complain to their label.