Floaty-haired woman motif? Check
Happy couple riding a horse? Check
Elaborate, possibly ill-advised, used of perspective? Check
Fashions suggesting high polyester content? Check
Friends, I give you Mel Bay‘s Fun With The Dulcimer:
work as if you live in the early days of a better nation
Floaty-haired woman motif? Check
Happy couple riding a horse? Check
Elaborate, possibly ill-advised, used of perspective? Check
Fashions suggesting high polyester content? Check
Friends, I give you Mel Bay‘s Fun With The Dulcimer:
Christmas came early. With money from Carlyle, I bought a reproduction of Knight’s American Mechanical Dictionary, a three-tome work from the 1870s which catalogued mechanisms, devices and machinery known at the time. It’s the ultimate nerd read.
You can browse two electronic versions online:
I have to say, though, that the dead tree version is a splendid read.
I’m currently checked into a hotel which reeks of 70s Danish modern — blonde wood, bare brick, smoked glass surfaces — and, like many places in Denmark, cigarette smoke. Being in the presence of an authentic Beocom phone makes up for it though:
Also, there’s a cute little wind farm outside; a few Vestas V27s (or smaller) on lattice towers at 56° 7′ 22.11″ N, 8° 13′ 48.94″ E:
A wrecker’s in Oakville brought waves of 70s nostalgia. Amidst the other junk, I caught a glimpse of a Jensen Interceptor, the car that — when I was five — was quite the acme of motoring. Wide grille, double headlights. Absurdly long bonnet hiding a vast engine from the US, sweet rounded rear window. Slung low, fast; but refined — an Oxbridge sprinter toff on wheels. You drove this car, you were Ian Ogilvy; you knew he was slumming it in The Saint‘s P1800.
This Interceptor looked, well, intercepted. Its signature rear glass was broken. Its huge heart infarcted, rusted up like Flint. Sad, but like the other dinosaurs, time moved away from it.