Month: May 2008

Tasty noms with Kyle MacNeill

at The Urban Element, Ottawa

Meena Peruvemba (CanWEA), Kyle MacNeill and Derek Lim Soo (GE) prepare the veggies at The Urban Element

The CanWEA board, and as many staff who could make it, went to The Urban Element last night for a team-building dinner. I usually shy away from team building things (I’ve have too many There is no I in team sessions, to which I usually respond, “Yes, but there is me, and also meat, so I think that says something”) but this one was good.

The Urban Element isn’t your average resto. You prepare and cook your own dinner, with the direct supervision of chef Kyle MacNeill and his assistants. Now it helps a lot that they’ve chosen very fine ingredients, and measured them out just so, and also have a properly set up kitchen and utensils, but we had to do the mixing, marinading and cooking.

What we made:

  • Grilled romain caesar salad
  • Kerr Farms flatiron steaks with asparagus and Yukon gold potatoes with rosemary butter
  • Toasted saffron couscous with chick peas, cashews, tomatoes and sweet peppers
  • Crispy fennel flatbread
  • Chocolate praline tart with frangelico sauce

It was good; very good. Really amazingly good. Great atmosphere and a very pleasant evening.

annoying ringtone

Now I’ve discovered how easy it is to create MP3 ringtones for my BlackBerry (make a 64KBit mono MP3 of short length, e-mail it to the phone, open attachment, save it, and select “Use as ringtone”), I just had to use this little snippet of the DeZurik Sisters: dezurik.mp3.

Old Man Luedecke in Toronto

I saw Old Man Luedecke play The Drake on Thursday night. After being snowed out of seeing him in Guelph, it was great to finally hear him play. Wasn’t disappointed; really fun show. Superb lyrics, fantastic technique (his clawhammer and Seeger up-picking are spot on) and gently self-deprecating stage banter make it a fun night. Go and see him if he’s playing near you.

auplabels – extract times of tracks in an Audacity file for adding labels

auplabels – extract times of tracks in an Audacity file for adding labels (download).

Audacity 1.3’s method of track splitting has always seemed a pain, so I wrote the above to help me.

Running auplabels file.aup will generate a somewhat sparse file of track offsets:

0.00000000
191.57333333
376.08000000
550.76000000
…

You’ll want to edit this to add track names (there should be a tab between the first column and the title):

0.00000000      Battle of the Blues
191.57333333    I Quit My Job
376.08000000    Ain't Goin' My Way
550.76000000    Wake Up Hill
…

If you use File -> Import… -> Labels… to import this into your project, the label track should exactly align with your track splits.

(Of course, this should really be an XML application since Audacity AUP files are XML, but issues were had.)

how to fix the annoying Ubuntu/Debian XML::SAX install problems

Debian and its derived distributions have a policy about packages not being able to modify the configuration of other packages. While this might generally seem like a good idea, for the TIMTOWTDI world of Perl, this causes problems.

The problem arises if you have installed Perl XML modules from both CPAN and the Debian (or Ubuntu, or whatever) repositories. Debian’s modifications subtly break the XML::SAX module, on which most Perl XML modules (including the brilliant XML::Simple) depend. If you’ve been naughty and used a module from CPAN, Debian gets its knickers in a knot, and won’t configure or run anything remotely related to libxml-sax-perl.

If you get the error Can’t locate object method “save_parsers_debian” via package “XML::SAX” at /usr/bin/update-perl-sax-parsers line 90, your system is affected. You might get the clue that any of your Perl XML handlers freak out and fail in weird ways.

Here’s a method (there’s always more than one, of course)  to fix it. This was combined from a couple of sources, each of which was on the right track but didn’t entirely work. Actually, the first might’ve been right on the money, but my hiragana’s a bit ropey …

  1. make sure you’ve got your system up to date with apt-get or aptitude.
  2. sudo cpan CPANPLUS (this will ask you lots of questions, to which you should almost always answer with the default)
  3. sudo cpanp -u XML::SAX (this takes quite a while, and produces no output for most of it)
  4. LC_ALL=C sudo apt-get install --reinstall libxml-sax-perl (the LC_ALL=C might not be strictly necessary, but it worked for me)

You must remember never to pretend to be smarter than the Debian maintainers, and suitably chastened, may now return to your normal OpenSSH patching activities …

Ema Tei

I reckon for more than half the time I’ve worked in Toronto, I’ve been within a block of Ema Tei. Yesterday was the first time I went there. I wonder what took me so long?

Kenn Cutts enjoys the wasabi at Ema Tei

Kenn, my former colleague from EPCOR, took me to lunch there. I was impressed; tasty food, great prices, huge portions and a great atmosphere. There was a good amount of wasabi sneakily hidden under the fish in the sushi, so we both ended up suitably decongested.

(and yes, the Technoid Balloon Gimp Script strikes again. While it does work nicely under Gimp 2.4, it’s hidden away in the very unhelpful Xtns/Script-Fu/Text/Balloon menu.)

who are you calling a tube?

cheapo 12ax7 valve/tube as removed from my Fender Champion 600

Actually, where I’m from, we call ’em valves.

I was getting a lot of noise (that is, unwanted noise) from my guitar amp, so on Nichol’s advice, I retubed it. How convenient that Encore had some Electro-Harmonix valves in stock (though I’m told that The Tube Store turns around orders quickly and cheaply). The Champion 600 only takes two tubes, a 12AX7 and a 6V6. They’re a bit like changing a fiddly lightbulb; the hardest parts were working out how to open the 6V6’s retainer (push down on the wings), how to open the 12AX7’s shield (push and twist – it’s a bayonet a bit like UK light bulbs), and how to seat the 12AX7 when the holder obscures most of the pins (the gap faces the middle of the amp on mine).

Result? Nice. Less noise (though a Tele’s bridge pickup at full volume into a valve amp won’t ever be clean). More fun. $25 well spent. Strange to think that I’m installing components which were getting a bit old hat when my dad first started in electronics.