spiked!

Took advantage of the holiday to scoot down to The 12th Fret to have my banjo looked at. I’d managed to do a bad thing to the tailpiece (which I’d rather not talk about, thank you), and had Grant fit capo spikes at 7, 9 & 10.

While working on the fretboard, Grant confirmed that these really were model railway track spikes — or more correctly, model railway enthusiasts use capo spikes to hold their rails down!

still walking in the parlor

I’m currently intrigued by a Lee Hammons tune that Chris Coole taught me — Walking in the Parlor. It’s very simple, never straying beyond the second fret, yet packs in enough drop- and double-thumb in a short piece to still make it challenging.

tunes I must learn (eventually)

Not all of these could be classed as banjo tunes, but I’d want to try, anyway:

  • The Coo-Coo Bird (it’s not optional)
  • The Old Plank Road (Uncle Dave’s delivery, which was more demented than the Rounders)
  • Hot Corn, Cold Corn (like HMR; just how does one spell moo’m moo’m moo’m de boo’m boo’m de boo’m?)
  • I’m Going In A Field (Nic Jones style)
  • Bridges & Balloons (Joanna’s song’s just crying out to be covered with a broad Glasgow accent)
  • Needle of Death (too many banjo tunes are too happy)
  • Ghost (the Neutral Milk Hotel one)
  • something by Sufjan (even if Peter Stampfel says he plays banjo kind of boringly)
  • I Love How You Love Me (like Mangum, not Spector)