Sights: water, bluffs, rock, birds, blue sky.
Sounds: water, redwing blackbirds, grackles, geese, falling limestone.
Smells: the lighting of BBQs.
Sights: water, bluffs, rock, birds, blue sky.
Sounds: water, redwing blackbirds, grackles, geese, falling limestone.
Smells: the lighting of BBQs.
Ubuntu‘s servers are currently failing to cope with the demand for everyone trying to upgrade to 7.04 “Feisty Fawn” all at once.
… And I have no Polyphonic Spree on my player, alas.
did someone take down illegalsigns.ca? It’s blank today.

My blackberry is confused. It really thinks it has -1 unread messages. This creates all sorts of philosophical questions, most of which I’m not equipped to handle.

dog outside Another Story Bookshop on Roncesvalles

discarded film
So I wonder how many Canadians can still play the uke?
365 Days #103 – The Ukuleles Of Halifax – Country Roads (mp3)
There is a nasty snow pile at Kennedy Commons:


I wrote this ages ago, but it wasn’t in the easiest to find place. I discovered today that Ilford fit inside Agfa, and – with a bit of brute force – an Ilford will fit inside an Ilford. So I made a few more of these …
I’ve often wondered why the relatively tough little metal-clad 35mm roll comes in a neat plastic case, while the bigger and more delicate 120 roll has nothing more than foil to protect it. You can buy 120 film cans, but they are expensive after-market things.
Since I also (used to) shoot 35mm, I tend to end up with a lot of empty film cans. Some brands of film, I noticed, have quite different can diameters. Fuji seems to have the narrowest, Ilford next, and then Agfa the widest. A Fuji can slips quite neatly inside an Agfa can — in fact, if you bore a small hole in the bottom of an Agfa, fill it with water, and slide a Fuji can in as a plunger, it acts as quite an effective single-shot water pistol. But I digress …
But best of all, I discovered that a Fuji can is a tight interference fit into an Ilford can. Since I knew that a 120 spool is a smaller diameter than a 35mm roll, and is less than twice the length, I knew I could do something with this.

You will need:

Slice the end off the Fuji can. It helps to poke a hole in the side of the can a couple of millimetres up from the end, and then start slicing where you made the hole.

Jam the now baseless Fuji can into the Ilford can, and push it down to the desire length. It really helps if you take the lid off the Fuji can, as otherwise you’d be working against air compression. It also helps if you have a spare 120 spool handy, to check that you haven’t pushed the two cans too far in to be useful.

And there you are! It might be rather rough and ready, but it works. I don’t know how durable or waterproof these things are, but they’ll afford considerably more protection than having them rolling about loose in your camera bag.
CleVR does allow you to produce animated panoramas with no user input, but it has its flaws. The biggest is that, even though it’s written in Java, it only works properly under Windows.
Here’s a panorama I made earlier: A boring day at Kennedy Commons.
Winds Of Change :: Stories of a dawning Wind Power Industry is Danish wind pioneer Erik Grove-Nielsen’s story of the early years of the wind industry. It’s very much a work in progress, but it shows very well how things have come on since the 1970s.
I’m at the Jays game … and it’s a bit slow.
Greenpeace Canada decided I’m francophone, and so sent me their French welcome package. I don’t particularly mind, but I don’t remember being given a language option.
I’m not proud of being monolingual (in fact, round these parts I’m sometimes considered nihilingual). At school, if you wanted to take science, you dropped the arts by about age 15. It didn’t help that our school used minging old readers like Aux Pays des Flamantes Roses and used genuine 1960s reel-to-reels with écoutez et répétez <beep>!

I took this a while back (June 2004), but forgot about it.
Upgraded Ubuntu from Dapper Drake to Edgy Eft last night … and it was surprisingly painless. Sure, it took all night to download, and it did require me to fiddle about using the wireless access point as an ersatz eth0 to get ndiswrapper happy, but I’m not complaining.
I’m still not running in 64 bit though, as I don’t know if there are drivers for some of my cards in AMD64. It’s not a priority, though — everything’s adequately fast as is.
In approximate chronological order:
Seen at Warden TTC — spring’s here!
Craig Ferguson’s Between the Bridge & the River is better than I expected. It’s a long way from live at the Tron, eh?
(via Karen)