You have to be of a certain age to recognize this:
… not just as an artist’s travel palette, but as a repurposed case for a 9-track tape spool. While tape drives were iconic for mainframe computers (so much so, there’s a Unicode glyph for them: ✇), the last drives and tapes came off the line a decade ago. They’re not truly dead until everybody forgets what these cases were originally for.
I have a bunch of Catherine’s old family recordings to digitise (do people still do that – sit around a tape recorder and make recordings?) and I had recorded one of Ken’s shows on minidisc, so I needed a relatively clean way to get analogue audio onto the computer.
I ended up getting a Griffin iMic, a small USB audio input device. The sound quality is remarkably clean; here’s a sine wave recorded from CD to minidisc, then recorded on the iMic:
The iMic seems to work with all Mac audio software as an input device. The free Final Vinyl recording sofware is pretty, but a bit buggy and annoyingly, only works when the iMic is connected. I just use Audacity, and have done with it.
I finished fixing up the brakes on the Super Galaxy, and put new handlebar tape on the bars. I still suck at fitting bar tape; should’ve stuck to my old standard Benotto tape, which, while almost useless for shock absorption, is cheap and easy to fit.
Once all was fitted, I took it for a spin. The new brakes are a delight; very positive and extremely powerful. I will enjoy riding again.
(And yes, you bike nerds, there is no straddle cable in that picture.)
There is something very pleasing about working on one’s bike of an evening, racing against the fading light. I stripped the ancient bar tape of the tourer, and started on refurbishing the brakes. I think that 1987 was the year that cantilevers got good, and since I have a 1986 Super Galaxy, the old Shimano BR-AT50s were pretty poor. New Alivios don’t quite have the finish of the old units, but they’ll work, meaning I’ll be able to stop without a full city block’s notice.