found book
Friday, November 25th, 2005I found a copy of Linda McQuaig’s It’s the Crude, Dude on the GO train last night. I’ve been meaning to read it for a while. I don’t know what I’ll do with it when I’ve read it — Bookcrossing?
I found a copy of Linda McQuaig’s It’s the Crude, Dude on the GO train last night. I’ve been meaning to read it for a while. I don’t know what I’ll do with it when I’ve read it — Bookcrossing?
I’ve just been listening to BBC Radio 4’s dramatisation of Edmund Gosse’s Father and Son. It’s rather good.
I think I can safely say that this household knows more about Edmund Gosse than any other in Scarborough. Catherine’s PhD was based on on the Gosse family, and I’ve read the book and proof-read the thesis. I suspect we’re also the only household in Scarborough that relates episodes from the young life of Edmund Gosse as if they were family anecdotes.
I know, we must get a life …
Just finished Laura Penny’s snarky, angry, funny, clever Your Call Is Important To Us, on the pervasiveness of bullshit. This is basically a book that Bill Hicks never got to write. It’s delightful.
(the subject’s a line from the ever-hilarious Fertnel Snak Food Corporation, btw).
The TTC was full of adults reading the new Harry Potter. I guess it’s truewhat they say about the decline in reading age.
Wendy sent me Iain Banks’s Raw Spirit for my birthday, and I’ve just finished it. I very much enjoyed it; it’s more of an autobiography by way of some whisky distilleries. We have favourite drams in common — Laphroaig and Balvenie being a couple — and we both have a failing for Mull Cheddar, the potency of which can only be described as sinus-clearing. It’s an amusing read, and you don’t have to be a whisky nerd or Banks geek to enjoy it.
I applaud Iain Banks’s stand on the Iraq war, but I do wonder if he’s thought very hard about the the cause of the war. Banks witters on (sorry, but he does so, incessantly) about being a “petrolhead”, and describes his cars in intricate detail: LandRover TD5, BMW M5, Porsche 964 Carrera 4, Porsche 911, Jaguar MkII 3.8l. None of these have sane fuel economy, and fewer of these on the road might’ve meant we wouldn’t have needed to get palsy with the odious Hussein, then need to oust him later. Maybe the fumes — whisky, weed or petrol — went to Banksie’s head.
Jean Shepherd’s In God We Trust, All Others Pay Cash. I have rather a failing for the works of midwestern humorists, and Shep reads like a hopped-up Garrison Keillor. You’d like him.
Father Brown Stories, by G. K. Chesterton. Just as I’m getting into it, I think I lost it on the bus. Rats.
I’m reading McDonough & Braungart’s book Cradle To Cradle, and it makes me sneeze.
Not that the content is to be sneezed at — it’s a very sensible treatise on a zero-waste, EPR-based society. It’s not the polymer that the book is made from, either. It’s the fact that the a previous borrower of the book from the Toronto Public Library was the owner of a probably very attractive grey cat.
I’m allergic to most cats. And this isn’t usually a problem with library books, as paper doesn’t attract hair. But the polypropylene pages of Cradle To Cradle do, and so reading this book makes me itch. I guess this wouldn’t be a problem if I’d bought my own copy, but it’s a deal more environmentally responsible to share a few copies amongst the thousands of library patrons than keep one for myself.
I don’t necessarily agree with some of the arguments made about the upcyclability (that is, a product that can be recycled into something of an equal or higher quality) of the book. Basic entropy tells you that you can’t reform a product without losing something of the original. Some of the material will evaporate, or the filler will degrade somewhat, or some additional colourant will be required to restore the original tone.
Some other things that don’t jibe:
In fairness, mad props for McDonough’s work on green roofs, and to Melcher Media for giving the plastic book a try. But thinking that a few polymer pages will change the world is pushing credibility to its limits.
[And I really should temper the madness of my props to Melcher, as it would appear that they're trying to patent the plastic book. I'm sure there's some iota of novelty in replacing the form-factor and access methods of a cellulose polymer book with a hydrocarbon polymer, but for the life of me, I can't find it.]
I’ve just finished Henry Petroski’s The Pencil: A History of Design and Circumstance. While the standard wooden pencil is indeed a marvel of economical mass production, and you know I’m all about the pencils, I found the book to be pretty slow going. Petroski’s To Engineer Is Human: The Role of Failure in Successful Design is much more fun, if perhaps due to its wider scope.
While packed with more pencil lore than you could ever hope to learn in a lifetime (like the Henry David Thoreau connection to modern pencil manufacture), some of Petroski’s observations didn’t quite ring true. The books is written from a very American perspective, and when he claimed that the whole world is using a yellow-painted No. 2 eraser tipped pencil, I felt that there was something wrong with his usually objective prose.
To me, a good pencil is red or blue, or occasionally dark green or plain wood. A yellow pencil is a scratchy and petulant thing, consigned forever to the grubby bilges of a school pencil case. Petroski repeats the anecdote of how a manufacturer produced a batch of pencils, and painted half yellow and half green. Consumers complained that the green-painted pencils didn’t write well, and broke frequently. Curiously, I remember reading the same anecdote in the UK, except the batch was one quarter each red, blue, green and yellow. It was the green and yellow pencils that broke in Britain.
And a rubber (eraser) on the end? It destroys the balance of the pencil, and at best produces a nasty smear on the page. Rubbing-out is what your Helix Colonel is for!